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			<title> <hi rend="bold">"Our Literature," Composition of Theodore B. Kingsbury for the Dialectic Society,
			 September 1848:</hi> Electronic Edition.</title> 
		  <author> Kingsbury, Theodore Bryant, 1828-1913 </author> 
		  <editor>Erika Lindemann</editor> 
		  <funder>Funding from the State Library of North Carolina supported the
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		  <edition>First Edition, 
			 <date>2005</date> </edition> 
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		  <publisher>The University Library, University of North Carolina at
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		  <pubPlace>Chapel Hill, North Carolina</pubPlace> 
		  <date>2005</date> 
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		  <title type="monograph"> <hi rend="italics">True and Candid
			 Compositions: The Lives and Writings of Antebellum Students in North
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				<title type="collection"> Dialectic Society Records (#40152),
				  University Archives, University of North Carolina at Chapel Hill </title> 
			 	<title type="document"> "Our Literature," Composition of Theodore B. Kingsbury for the Dialectic Society,
			 		September 1848</title> 
				<author>Kingsbury, Theodore Bryant, 1828-1913</author> 
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			 <extent>8 pages, 9 page images</extent> 
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				<date value="1848-09">1848</date> 
				<publisher> University Archives,University of North Carolina at
				  Chapel Hill</publisher> 
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				<note type="call number">Call number 40152 (University Archives,
				  University of North Carolina at Chapel Hill)</note> 
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	 <front> 
		<div1 type="doc_summary" id="doc_sum04-20"> 
		  <head>Document Summary</head> 
		  <p>Kingsbury's composition defends American literature from charges
			 that it cannot be great. America's beautiful scenery and spirit of inquiry, he
			 argues, have already given rise to notable writers of many genres. </p> 
		</div1> 
	 </front> 
	 <body> 
		<div1 type="composition"> <pb id="mss04-20-cv" n="cover"/><pb id="mss04-20-p01" n="1"/> 
			<head> "Our Literature," Composition of 
			 <name id="TK" key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">Theodore B. Kingsbury</name>, September 1848<ref id="ref745" type="source" target="note745" rend="sup">1</ref></head> 
		  <head type="original" rend="center">Our Literature.</head> 
		  <p> It is not <del rend="overstrike" hand="TK">my</del>
		  <add hand="TK" rend="sup">our</add> object in this composition, to vindicate
		  our political institutions, our manners, morals and social organization from
		  the illiberal, vindictive and bigoted assaults of the hired minions of
		  despotism, for the space and time allowed me, will not admit of an extended
		  review of the subject; but <del rend="overstrike" hand="TK">I</del>
		  <add rend="sup" hand="TK">we</add> would say a word in favor of that Literature
		  whose infancy was slandered, and whose progress has been <hi rend="underscore">dogged</hi> by the scoffs and sneers of those, whose pride
		  and glory it should have been, to protect and foster it. It has struggled
		  hitherto against many adverse circumstances. The very discovery and settlement
		  of this country marked a new era in the history of the human mind. Since then,
		  what may be called the practical concerns of life; the pursuits of gain and the
		  rage for utility have, to a great extent, occupied the energies of all the
		  civilized world; and few bright luminaries in Literature have any where made
		  their appearance. </p> 
		  <p>Very many causes have conspired to impede our progress as a Literary
			 people—these we will <hi rend="underscore">not</hi> recapitulate. We
			 cannot, however, forbear pointing out a striking difference existing in the
			 respective promotion of English and American Literature. In 
			 <name key="name0000336" reg="England" type="place" rend="no">England</name>
			 there are many princely estates enabling the possessors to obtain the costly
			 means of prosecuting researches in science, or to reward excellence in
			 literature and the polite arts; hereditary fortunes furnishing their inheritors
			 with time and means for the long and constant cultivation of letters. Yet,
			 notwithstanding all obstructions, every American citizen has a right to be
			 proud of his country and his country's literature. 'Tis true our literature is
			 yet in its infancy, yet, it is equally true that there are those numbered among
			 our writers, the fame of whom would<ref id="ref746" type="edit" target="note746" rend="sup">2</ref> add
			 even to the <pb id="mss04-20-p02" n="2"/>greatness of a 
			 <name key="pn0001519" reg="Shakespeare, William" type="person">Shakspeare</name> or a 
			 <name key="pn0001189" reg="Milton, John" type="person">Milton</name>, a 
			 <name key="pn0000590" reg="Goethe, Johann Wolfgang von" type="person">Goethe</name> or a 
			 <name key="pn0000388" reg="Dante Alighieri" type="person">Dante</name>. It is but yesterday, we took our place among the nations of the
			 earth and it is not to be expected, that we should at once reach the summit of
			 intellectual greatness. All that is valuable <add rend="sup" hand="TK">and
			 destined to last</add> is of slow growth, The mushroom may spring up in a
			 night—but the sturdy oak is the growth of centuries. If we cannot boast
			 of a 
			 <name key="pn0001276" reg="Newton, Isaac" type="person">Newton</name>, a 
			 <name type="person" key="pn0001867" reg="Locke, John">Locke</name>, a
			 
			 <name key="pn0001189" reg="Milton, John" type="person">Milton</name>, a 
			 <name key="pn0001504" reg="Scott, Walter" type="person">Scott</name>
			 or a 
			 <name key="pn0000073" reg="Bacon, Francis" type="person">Bacon</name>; we have a 
			 <name key="pn0000540" reg="Franklin, Benjamin" type="person">Franklin</name>, a 
			 <name key="pn0000227" reg="Bryant, William Cullen" type="person">Bryant</name>, a 
			 <name key="pn0000344" reg="Cooper, James Fenimore" type="person">Cooper</name>, and 
			 <name key="pn0000812" reg="Irving, Washington" type="person">Irving</name> and a 
			 <name key="pn0001395" reg="Prescott, William Hickling" type="person">Presscott</name>,<ref id="ref747" type="info" target="note747" rend="sup">3</ref> and
			 among our female writers a 
			 <name key="pn0001508" reg="Sedgewick, Maria" type="person">Sedgewick</name> and a 
			 <name key="pn0001547" reg="Sigourney, Lydia Huntley" type="person">Sigourney</name>, with many others fast rising in fame, whose
			 writings would adorn any period of English or German Literature. </p> 
		  <p>American Literature is in one respect superior to that of every
			 country on the globe, and this distinction alone should entitle it to the
			 marked respect of all the Christian World. For the number of our authors in
			 every department, there never have been as few, whose writings breathe an
			 unhealthy morality. You will look in vain over the catalogue of American
			 writers for the sneering Atheist, the plausible Infidel and the corrupt
			 Libertine, each of whom has contributed so much to poison and contaminate the
			 modern literature of other countries.</p> 
		  <p> It has been said by some European Scholars that science and
			 literature have in this country no governmental patronage, therefore high
			 attainments are not to be expected. If we look into the history of ancient<ref id="ref748" type="edit" target="note748" rend="sup">4</ref>
			 literature, we behold many noble and splendid specimens of intellectual
			 greatness. But where were they reared? Not in the palaces of the
			 <hi rend="underscore">great</hi>, nor under the sun-shine of Royal
			 patronage,—but mostly upon the rugged soil and islands of ancient 
			 <name key="name0000438" reg="Greece" type="place" rend="no">Greece</name>. The
			 muse of 
			 <name key="pn0000772" reg="Homer" type="person" rend="no">Homer</name> never
			 graced the halls of princes, and with the artificial charms of modern
			 refinement she was also unacquainted. She breathed the pure airs of her native
			 mountains and amidst their wild and beautiful scenery caught her inspiration.
			 The philosophy of 
			 <name key="pn0001370" reg="Plato" type="person">Plato</name>, grew
			 sublimely fair—not under the smiles of royal favor—but in groves
			 <pb id="mss04-20-p03" n="3"/>of the academy, under the fostering influence of
			 Liberty, its guardian genius. The eloquence of 
			 <name key="pn0000427" reg="Demosthenes" type="person">Demosthenes</name>, before whose resistless power the armies of 
			 <name key="name0000615" reg="Macedonia" type="place">Macedonia</name>
			 retired, was the pride and ornament of independent 
			 <name key="name0000438" reg="Greece" type="place" rend="no">Greece</name>; all
			 have read with the deepest sympathy and interest, how, his putting forth his
			 energies in the cause of <hi rend="underscore">freedom</hi>, he expired, as his
			 country's Star slowly descended into the abysmal depths of eternity's Ocean. We
			 need not go back to the ancients for examples of human vigor and finished
			 culture. But few of the illustrious names that grace the annals of English
			 literature owe, their greatness or acquirements to the patronage of the crown.
			 They wrote themselves into fame, and produced their immortal works unaided and
			 alone, with not patronage but genius and unwearied industry. </p> 
		  <p>Our clime and beautifully romantic scenery are highly suitable
			 <del rend="overstrike" hand="TK">to</del> and favorable to the intellectual
		  development of the nation. For its influence is displayed in the energy of
		  thought and feeli<add rend="sup" hand="TK">n</add>g which characterize all
		  classes, not less the uneducated than the learned and most accomplished
		  scholar. </p> 
		  <p>Who can behold our mountain rivulets, leaping among the rocks and
			 stealing their way into the dark valley beneath, or linger upon the banks of
			 our streams, amidst the rich and blooming foliage which adorns them, and not
			 have his soul awakened to a glow of the most pleasurable emotion? Who can stand
			 upon the shores of our broad majestic lakes, and gaze upon their unruffled
			 expanse, bounded only by the distant horizon, and not feel his spirit subdued
			 by the grandeur of the scene?—Who has not felt a mingling of sublime and
			 pleasing sensations while gazing upon the flow of our mighty rivers—the
			 <del rend="overstrike" hand="TK">wav</del> wave of<ref id="ref749" type="edit" target="note749" rend="sup">5</ref> our
		  lofty forests—and the awful grandeur<pb id="mss04-20-p04" n="4"/> of the
		  mountains which the hand of nature in wild magnificence, has scattered over our
		  country? While standing at the foot of our foaming cataracts, and looking up to
		  the ocean of waters, which pour their immense volumes into the abyss
		  below,—the soul itself seems lost in the sublimity of its own conception;
		  the glory and greatness of man fades away; the majesty of 
		  <name key="pn0000589" reg="God" type="person" rend="no">God</name> fills the
		  soul—his voice alone is heard in the deep heavy thunders of the
		  cataracts. <del rend="overstrike" hand="TK">And</del></p> 
		  <p>And is there nothing in scenes like these to kindle the poets fire:
			 to awaken the soul of the orator and to draw forth all his powers? Is there
			 nothing to give strength <add rend="sup" hand="TK">and wings</add> to genius?
			 Can the philosopher gaze upon these scenes and not feel
			 <del hand="TK" rend="overstrike">an</del> conscious elevation of thought and
		  intellect, which shall prompt him to new energy in exploring the untrodden
		  feilds of science? </p> 
		  <p>The spirit of inquiry into the fundamental principles of law, morals
			 and politics, being here left free, is pushed with surprising rigor into useful
			 discovery and investigation, while in other nations the genius of their
			 authors, confined within a narrow circle, bestows its labors on dry and
			 abstract science, on fiction &amp; sickly romance. And even in the higher walks
			 of literature we have taken a proud and honerable stand.</p> 
		  <p> The historian is entitled perhaps to rank as the most noble and
			 useful species of authors. And where is the historian of modern times whose
			 light does not pale before the resplendant sun of our own 
			 <name key="pn0001395" reg="Prescott, William Hickling" type="person">Presscott</name>? Who among all this class of writers in 
			 <name key="name0000347" reg="Europe" type="place">Europe</name> will
			 compare with him in all the essential and important requisites of this
			 character? Chaste and terse in diction; simple eloquent and grave in style;
			 lively and perspicuous in narrative; stately and well sustained in sentiment,
			 our matchless author has already taken his position by the side of the great
			 masters of<pb id="mss04-20-p05" n="5"/> *his calling.<ref id="ref750" type="edit" target="note750" rend="sup">6</ref> Nor
			 must it be forgotten that our writers of this class have to
			 <del rend="overstrike" hand="TK">go</del> travel beyond their own country for
			 themes to employ their pens, for ours is yet in its infancy and the events of
			 its career so far are soon told. </p> 
		  <p>Next to history, biography should perhaps be ranked as most
			 important; and here again we have a work that is the first of its kind. We are
			 sorry to say that we have seen in so few libraries, 
			 <name key="name0000493" reg="History of the Life and Voyages of Christopher Columbus (Irving)" type="publication" rend="no">the "Life of Columbus;"</name><ref id="ref751" type="info" target="note751" rend="sup">7</ref> and
			 yet it is a book which no reader can commence without perusing its entire
			 contents, and no one can travel over these without being afforded much
			 amusement and solid instruction. Whether we consider the dignity and importance
			 of the subject; the great and momentous events of which it treats, the
			 eloquence and beauty of the composition, or the moral grandeur of the
			 sentiment, no just critic can fail to bestow on the work his most unqualified
			 commendation. It has another merit—perhaps not its least—it is from
			 the pen of the good and immortal 
			 <name key="pn0000812" reg="Irving, Washington" type="person">Irving</name>. This writer alone would give a high tone to the
			 literature of any country; and he will stand out, to the eyes of posterity, as
			 the most prominent land-mark of his age. We shall attempt nothing in praise of 
			 <name key="pn0000812" reg="Irving, Washington" type="person">Irving</name>; who can do him justice? 
		  	The "<name reg="Shakespeare, William" type="person" key="pn0001519">bard of Avon</name>" tells us, 
			 <q type="poetry"> 
				<lg type="verse"> 
				  <l>"To gild refined gold, to paint the lily, </l> 
				  <l>To throw a perfume on the violet:</l> 
				  <l> To smooth the ice, or add another hue </l> 
				  <l>Unto the rainbow, or with taper-light </l> 
				  <l>To seek the beauteous eye of heaven to garnish </l> 
					<l>Is wasteful and rediculous excess:"<ref id="ref752" type="info" target="note752" rend="sup">8</ref> and</l> 
				</lg>
				</q> wasteful and rediculous indeed it be for us to pronounce a panegyric upon
			 him, for his fame is now known wherever books are read: his thoughts will
			 continue to fascinate and instruct <add rend="sup" hand="TK">the world</add>
			 while man has a mind to appreciate and a heart to feel, whatever is
			 <pb id="mss04-20-p06" n="6"/>is pleasing in fancy, pathetic chaste and sublime in
			 sentiment and good in morals; while to the latest posterity and when our mother
			 tongue shall speak only in the words of the past, his books will be the glory
			 of the language in which they were written.</p> 
		  <p> Another great Biographical work is "<name key="name0000590" reg="The Life of George Washington (Marshall)" type="publication" rend="no">Marshall's life of 
				Washington"</name>;<ref id="ref753" type="info" target="note753" rend="sup">9</ref> a
			 book whose theme is the grandest in human history, and whose style and
			 sentiment would render illustrious a much more ignoble subject.</p> 
		  <p> In the field of fiction we have had one writer who should bow his
			 head only to the "Great Wizard of the North" as 
			 <name key="pn0001504" reg="Scott, Walter" type="person" rend="no">Sir Walter
				Scott</name> was called. The Indian Novels of 
			 <name key="pn0000344" reg="Cooper, James Fenimore" type="person">Cooper</name>—not to speak of his splendid Sea
			 novels—whose scenes are laid in the awful solitude of the forest, and on
			 the wide and desolate prairie, and whose characters were the wild red men that
			 roamed over them, have as much exciting incident, accurate delineation of
			 character, and more grandeur of scenery, than the best productions of the
			 author of 
			 <name key="name0001288" reg="Waverly (Scott)" type="publication">Waverly</name>. These are some of our most prominent
			 authors, but there is a vast multitude of others of less note whose teeming
			 productions are constantly enriching every branch of Literature. They are
			 <hi rend="underscore">not</hi> voluminous; no high-sounding name grace their
			 title page; nor are they ushered into the world in ponderous tomes whose
			 potentous dimensions excite the awe of the vulgar and the reverence of the
			 critic. Yet in their unpretending volumes may be found the richest treasures,
			 the dust of purest gold. </p> 
		  <p>In one department however there seems to be a lamentable deficiency;
			 in the flowery field of poetry. The fair Muses it is said will not be wooed by
			 our sturdy republicans, and reserve their smiles for more courtly gallants, in
			 gayer climes. It is true the Harp of no great Master has yet sounded among us;
			 still it is equally true that <pb id="mss04-20-p07" n="7"/>the inspiring genius
			 of song is Liberty. And is not the American mind eminently poetical? No
			 elaborate productions have made their appearance, though 
			 <name key="pn0000227" reg="Bryant, William Cullen" type="person">Bryant</name>, 
			 <name key="pn0001036" reg="Longfellow, Henry Wadsworth" type="person">Longfellow</name>, 
			 <name key="pn0000660" reg="Halleck, Fitz-Greene" type="person">Halleck</name> and others have written well; yet thousands of the
			 purest gems sparkle in the ephemeral literature of the day. Songs as sweet as
			 the sweetest one's of 
			 <name key="pn0000245" reg="Burns, Robert" type="person">Burns</name>
			 and 
			 <name key="pn0001220" reg="Moore, Thomas" type="person">Moore</name>; odes, sonnets and refrains, breathing in numbers as
			 harmonious as 
			 <name key="pn0001389" reg="Pope, Alexander" type="person">Pope's</name> and as chaste as 
			 <name key="pn0001820" reg="Wordsworth, William" type="person">Wordsworth</name>; the very soul of poetry way be found in many
			 of our literary journals. But perhaps among the many causes which have impeded
			 the growth of Poetry, may be assigned as the most prominent the all absorbing
			 influence and power of her sister Eloquence.<ref id="ref754" type="edit" target="note754" rend="sup">10</ref>
			 Here we are without a rival since the palmiest days of 
			 <name key="name0000438" reg="Greece" type="place" rend="no">Greece</name> &amp;
			 
			 <name key="name0000994" reg="Rome" type="place">Rome</name>. Here in
			 is our Literature rich, splendid, glorious; here in have we given to the world
			 "In <del rend="overstrike" hand="TK">words</del><add rend="sup" hand="TK">
			 thoughts</add> that breathe and words that burn",<ref id="ref755" type="info" target="note755" rend="sup">11</ref> a
			 profusion of the most gorgeous and magnificent treasures, and the sublime
			 effusions of our 
			 <name key="pn0000321" reg="Clay, Henry" type="person">Clays</name>,
			 our 
			 <name key="pn0001747" reg="Webster, Daniel" type="person">Websters</name>, our 
			 <name key="pn0000273" reg="Calhoun, John C." type="person">Calhouns</name>, our 
			 <name key="pn0000352" reg="Corwin, Thomas" type="person">Corwins</name> and our 
			 <name key="pn0000310" reg="Choate, Rufus" type="person">Choats</name>, whose words are "sparks of immortality,"
			 will stand unrivalled amid the decay and mutations of Time, by the everlasting
			 adamant of 
			 <name key="pn0000314" reg="Cicero, Marcus Tullius" type="person">Cicero</name> and 
			 <name reg="Demosthenes" type="person" key="pn0000427">Demosthenes</name>.</p> 
		  <p> Nor should we pass without notice the more humble branch of
			 periodical literature—a branch in which we may challenge co[m]parison
			 with the world. One of our Reviews—the 
			 <name key="name0000744" reg="North American or, Weekly Journal of Politics, Science and Literature" type="publication">North American</name><ref id="ref756" type="info" target="note756" rend="sup">12</ref>
			 —has <add rend="sup" hand="TK">long</add> since taken its place among the
			 ablest in any country; our political organs would be disgraced by a comparison
			 with those of any other nation, and in our newspapers generally there are more
			 classical essays, more polished criticism, more pure wit and fun than can be
			 found in any other similar pages. And the fact too, that so much information of
			 every sort is thus cheaply and universally diffused, and that many of the most
			 cultivated minds and brightest geniuses of the country, are engaged in
			 enriching their columns, will account for the small number of costly works. But
			 however bright<pb id="mss04-20-p08" n="8"/> and honorable is our literature, it
			 has not reached its highest point. It is now but in the bud, and the time is
			 far distant when it will open in its richest bloom. This is not with us
			 figuratively speaking "a piping time of peace."<ref id="ref757" type="info" target="note757" rend="sup">13</ref> It
			 is for us a stirring age. A mighty career of action is yet to be run: great
			 events are yet to happen and great achievements yet to be made. And from our
			 auspicious beginning we have every reason to hope that a brilliant and glorious
			 career is before us; that we will yet touch a point in national greatness and
			 grandeur far in advance of any who have gone before us. If not, ours will
			 atleast be no common fate. If our race is short, it will be marked by a
			 succession of great events, and our <del rend="overstrike">race</del>
			 <add rend="sup" hand="TK">end</add> if speedy will be like the throes and
			 convulsions of expiring nature. </p> 
		  <p>Then, when our minds have been sobered and our fancies tempered by
			 the frost of age; then, in that time of repose and meditation will the
			 literature of our country shine in all its splendor, and reflect a deathless
			 glory over our aged and decaying republic. All that mighty intellect; all that
			 diversified genius that is now boiling with a feverish excitement, with
			 restless desire for achievement, will be calmed into a quiet contemplation of
			 the past. And <hi rend="underscore">then</hi>, as it broods over the mighty
			 deeds of by-gone times and the stupendous wrecks of fallen power and faded
			 glory; or sits beneath the shadow of a pure republic, "whose bruised arms
			 are hung up for monuments,"<ref id="ref758" type="info" target="note758" rend="sup">14</ref> and
			 whose career has been "a path of [<del rend="overstrike" hand="TK">love</del>] <add rend="sup" hand="TK">light</add>," of burning,
		  shining light in the wide gloom of time,—illustrated by every virtue that
		  can refine, humanize and ennoble our race; <hi rend="underscore">then</hi>,
		  will the fruits of a new and glorious literature, unequalled in any age or any
		  country, ripen to its full perfection; <hi rend="underscore">then</hi>, will
		  burst forth a wild strain of song and harmony, compared to which the epic
		  effusions of other nations, will be like the bubbling of their brooks by the
		  <hi rend="underscore">thunders</hi> of 
		  <name key="name0000737" reg="Niagara Falls" type="place">Niagara</name>. </p> 
		  <closer> 
			 <dateline>Filed September 1848.</dateline> 
			 <signed> 
				<name key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">T.B. Kingsbury</name>. 
				<name key="name0000828" reg="Oxford, NC" type="place" rend="no">Oxford
				  N.C.</name> </signed></closer> 
		</div1> 
	 </body> 
	 <back> 
		<div1 type="notes"> 
		  <note id="note745" target="ref745" type="source"> 
		  	<p>1.  <xref url="http://www.lib.unc.edu/mss/uars/ead/40152.html">Dialectic Society Addresses, UA</xref>. Written on eight numbered
				sheets, the composition once had been bound and subsequently unbound. It is
				endorsed "Composition/on/American Literature/Filed/September 1848./by/ 
				<name key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">TB.Kingsbury</name>./ 
				<name key="name0000828" reg="Oxford, NC" type="place" rend="no">Oxford/N.C.</name>" </p> </note> 
		  <note id="note746" target="ref746" type="edit"> 
			 <p>2. 
				<name key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">Kingsbury</name> wrote <hi rend="italics">o</hi> on top of
				<hi rend="italics">h</hi>.</p> </note> 
		  <note id="note747" target="ref747" type="info"> 
			 <p>3.  American historian  
				William Hickling Prescott  (1796-1859) was the author of
				<hi rend="italics"><name reg="The History of the Reign of Fedinand and Isabella the Catholic (Prescott)" key="name0000494" type="publication" rend="no">The History of the Reign of Ferdinand and
				  Isabella the Catholic</name></hi> (1838) and <hi rend="italics"><name key="name0000239" reg="The Conquest of Peru (Prescott)" type="publication" rend="no">The Conquest of Peru</name></hi>(1847), among other
				works.</p> </note> 
		  <note id="note748" target="ref748" type="edit"> 
			 <p>4. 
				<name key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">Kingsbury</name> wrote <hi rend="italics">a</hi> on top of
				<hi rend="italics">A</hi>, which has been erased.</p> </note> 
		  <note id="note749" target="ref749" type="edit"> 
			 <p>5. 
				<name key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">Kingsbury</name> wrote <hi rend="italics">f</hi> on top of
				<hi rend="italics">n</hi>.</p> </note> 
		  <note id="note750" target="ref750" type="edit"> 
			 <p>6. The following footnote appears at the bottom of the page:
				"*It may not be uninteresting to know, that 
				<name key="pn0000802" reg="Humboldt, Alexander von" type="person">Baron Von Humbolt</name>—the most remarkable man of his
				age,—before a society in 
				<name key="name0000417" reg="Germany" type="place" rend="no">Germany</name>
				<add rend="sup" hand="TK">lately</add> pronounced 
				<name key="pn0001395" reg="Prescott, William Hickling" type="person">Presscott</name> greatest of all historians."</p> </note> 
		  <note id="note751" target="ref751" type="info"> 
			 <p>7. 
				<name key="pn0000812" reg="Irving, Washington" type="person">Washington Irving</name>, <hi rend="italics"><name key="name0000493" reg="History of the Life and Voyages of Christopher Columbus (Irving)" type="publication" rend="no">History of the Life and Voyages of Christopher
				  Columbus</name></hi>, 4 vols. (London: John Murray, 1828).</p> </note> 
		  <note id="note752" target="ref752" type="info"> 
			 <p>8. 
				<name key="pn0001519" reg="Shakespeare, William" type="person">William Shakespeare</name>, <hi rend="italics"><name key="name0000549" reg="King John (Shakespeare)" type="publication" rend="no">King John</name></hi>, IV.ii (1623).</p> </note> 
		  <note id="note753" target="ref753" type="info"> 
			 <p>9. 
				<name key="pn0001088" reg="Marshall, John" type="person">John
				  Marshall</name>, <hi rend="italics"><name key="name0000590" reg="The Life of George Washington (Marshall)" type="publication" rend="no">The Life of
				  George Washington</name></hi>, 5 vols. (Philadelphia: C. P. Wayne, 1804).</p>
			 </note> 
		  <note id="note754" target="ref754" type="edit"> 
			 <p>10. 
				<name key="pn0000919" reg="Kingsbury, Theodore Bryant" type="person">Kingsbury</name> wrote <hi rend="italics">E</hi> on top of
				<hi rend="italics">e</hi>.</p> </note> 
		  <note id="note755" target="ref755" type="info"> 
			 <p>11. 
				<name key="pn0000613" reg="Gray, Thomas" type="person">Thomas
				  Gray</name>, "<name key="name0000916" reg="&quot;The Progress of Poesy&quot; (Gray)" type="publication" rend="no">The Progress
				  of Poesy</name>," III.iii (1757).</p> </note> 
		  <note id="note756" target="ref756" type="info"> 
			 <p>12. <hi rend="italics"><name key="name0000744" reg="North American or, Weekly Journal of Politics, Science and Literature" type="publication" rend="no">North American; or, Weekly Journal of Politics, Science and
				  Literature</name></hi> (Baltimore: S. Sands, 1800-50).</p> </note> 
		  <note id="note757" target="ref757" type="info"> 
			 <p>13. 
				<name key="pn0001519" reg="Shakespeare, William" type="person">William Shakespeare</name>, <hi rend="italics"><name key="name0000550" reg="King Richard the Third (Shakespeare)" type="publication" rend="no">King Richard the Third</name></hi>, I.i (1597): "Why,
				I, in this weak piping time of peace,/Have no delight to pass away the
				time,/Unless to see my shadow in the sun/And descant on mine own
				deformity."</p> </note> 
		  <note id="note758" target="ref758" type="info"> 
			 <p>14. 
				<name key="pn0001519" reg="Shakespeare, William" type="person">William Shakespeare</name>, <hi rend="italics"><name key="name0000550" reg="King Richard the Third (Shakespeare)" type="publication" rend="no">King Richard the Third</name></hi>, I.i (1597): "Our
				bruised arms hung up for monuments."</p> </note> 
		</div1> 
	 </back> 
  </text> 
</TEI.2>