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			<title> <hi rend="bold">"The Journal of a Day," Class Composition of Thomas W. Mason,
			 [1856]:</hi> Electronic Edition.</title> 
		  <author>Mason, Thomas Williams, 1839-1921</author> 
		  <editor>Erika Lindemann</editor> 
		  <funder>Funding from the State Library of North Carolina supported the
			 electronic publication of this title.</funder> 
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			 <resp>Text transcribed by</resp> 
			 <name>Erika Lindemann, Susan Pearsall, and Steven Daniels</name> 
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			 <resp>Images scanned by</resp> 
			 <name>Mara E. Dabrishus</name> 
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			 <resp>Text encoded by</resp> 
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		  <edition>First Edition, 
			 <date>2005</date> </edition> 
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		  <publisher>The University Library, University of North Carolina at
			 Chapel Hill </publisher> 
		  <pubPlace>Chapel Hill, North Carolina</pubPlace> 
		  <date>2005</date> 
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			 <p>© This work is the property of the University of North Carolina at
				Chapel Hill. It may be used freely by individuals for research, teaching and
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		  <title type="monograph"> <hi rend="italics">True and Candid
			 Compositions: The Lives and Writings of Antebellum Students in North
			 Carolina</hi> </title> 
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			 <resp>written by</resp> 
			 <name>Lindemann, Erika</name> 
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			 	<title type="collection"> Sally Long Jarman Papers (#4005), Southern Historical Collection, 
			 		University of North Carolina at Chapel Hill </title>
				
			 	<title type="document">"The Journal of a Day," Class
				  Composition of Thomas W. Mason, [1856] </title> 
				<author>Thomas W. Mason </author> 
			 </titleStmt> 
			 <extent>9 pages, 9 page images</extent> 
			 <publicationStmt> 
				<date value="1856">[1856]</date>
			 	<publisher>Southern Historical Collection, 
				  University of North Carolina at Chapel Hill</publisher> 
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				<note type="call number">Call number 4005 (Southern Historical
				  Collection, University of North Carolina at Chapel
				  Hill)</note> 
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		  <p> Transcript of the class composition. Originals are in the Southern
			 Historical Collection, University of North Carolina at Chapel Hill.</p> 
		  <p>Original grammar, punctuation, and spelling have been preserved.</p>
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	 <front> 
		<div1 type="doc_summary" id="doc_sum05-09"> 
		  <head>Document Summary</head> 
		  <p>Mason's class composition details a day in the life of a student,
			 describing scenes in the college chapel and dining hall as well as in Greek,
			 French, and mathematics classes.</p> 
		</div1> 
	 </front> 
	 <body> 
		<div1 type="composition"> 
			<head>"The Journal of a Day," Class Composition of 
			 <name key="pn0001106" reg="Mason, Thomas Williams" type="person" id="TWM">Thomas W. Mason</name>, [1856]<ref id="ref890" rend="sup" type="source" target="note890">1</ref></head> 
			<pb id="mss05-09-p01" n="1"/>  
			
			<opener><signed rend="left"><name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name></signed></opener>
			<head type="original" rend="center">I.</head>
			<head type="original" rend="center">
				The Journal of a day</head> 
		  <p>College may be called a world in miniature. Although the different
			 formations of man, mentally and physically, may not be as strikingly portrayed
			 there, although the occupations of those there may be different, still, it must
			 be admitted, the scenes there enacted correspond in a measure
			 <add rend="sup" hand="TWM">to</add> those enacted on the world's stage.<ref id="ref891" rend="sup" type="edit" target="note891">2</ref> It
			 may, therefore, be interesting to exhibit a drama<ref id="ref892" rend="sup" type="edit" target="note892">3</ref> of
			 the real occurences<ref id="ref893" rend="sup" type="edit" target="note893">4</ref> of a
			 single day at college; so as to show how its actors correspond to those in the
			 great drama of the world.</p> 
		  <p>Our scene is first laid in the 
			 <name key="name0000418" reg="Gerrard Hall" type="place">College
				Chapel</name>, where all have assembled, in the morning, to return due thanks
			 to 
			 <name key="pn0000589" reg="God" type="person" rend="no">God</name> for his past
			 benefits and to ask his favour in the several duties in which they are about to
			 engage. The man of 
		  	<name key="pn0000589" reg="God" type="person" rend="no">God</name> commences his
			 prayer. Then cast your eye over that large assembly: and what do you see? Some
			 are attentive, as though they felt the solemnity of the scene, some appear
			 careless, are perhaps asleep, while some are offering<ref id="ref894" rend="sup" type="edit" target="note894">5</ref> real
			 insult to the sanctity of the place by some unbecoming conduct. There are true 
			 <name key="name0000193" reg="Christians" type="religion" rend="no">christians</name>, careless believers and real<ref id="ref895" rend="sup" type="edit" target="note895">6</ref>
			 sinners. The prayer is ended and all are ready to repair to their several
			 duties, as the farmer to his plough,<ref id="ref896" rend="sup" type="edit" target="note896">7</ref> the
			 mechanick<ref id="ref897" rend="sup" type="edit" target="note897">8</ref> to
			 his plane, the merchant to his store-house.</p><pb id="mss05-09-p02" n="2"/> 
		  <p>Our next scene opens with a crowd of loiterers, standing out<ref id="ref898" rend="sup" type="edit" target="note898">9</ref> in
			 front of one of the College buildings, who, instead of repairing to their rooms
			 to prepare their lessons, have stoped<ref id="ref899" rend="sup" type="edit" target="note899">10</ref> to
			 witness a dog fight and decide to which of the combatants, the palm leaf<ref id="ref900" rend="sup" type="edit" target="note900">11</ref> of
			 victory is due; whether to the growling, black-spotted bull-dog or the whining,
			 diminutive fice,<ref id="ref901" rend="sup" type="edit" target="note901">12</ref>
			 "with a ring 'round his neck". This <hi rend="underscore">important</hi> question being decided<del rend="overstrike" hand="TWM">ly</del> fairly and satisfactorly, The<ref id="ref902" rend="sup" type="edit" target="note902">13</ref> next
		  topic of discussion is—the politicks<ref id="ref903" rend="sup" type="edit" target="note903">14</ref> of
		  the day: and there the subject of 
		  	<name key="name0000553" reg="Know Nothingism" type="organization" rend="no">Know<del rend="overstrike" hand="TWM">n</del> Nothingism</name> is very naturally
		  introduced. Provident Young America, alias 
		  	<name key="name0000553" reg="Know Nothingism" type="organization" rend="no">Know
			 Nothing</name>, roars—<hi rend="underscore">Down</hi>
		  <hi rend="underscore">with</hi> <hi rend="underscore"><name key="name0000990" reg="Roman Catholicism" type="religion" rend="no">Catholicism</name></hi>, and breathes forth eternal curses on
		  the head of the poor foreigner, who seeks shelter under the folds of "the
		  tri-colored flag", while the patriotic young 
		  	<name key="name0000281" reg="Democrats" type="organization" rend="no">Democrat</name>
		  cries—<hi rend="underscore">Away</hi> <hi rend="underscore">with</hi>
		  <hi rend="underscore">religous</hi> <hi rend="underscore">intolerance</hi>,
		  <hi rend="underscore">this</hi> <hi rend="underscore">is</hi>
		  <hi rend="underscore">the</hi> <hi rend="underscore">home</hi>
		  <hi rend="underscore">of</hi> <hi rend="underscore">the</hi>
		  <hi rend="underscore">oppressed</hi> <hi rend="underscore">of</hi>
		  <hi rend="underscore">all</hi> <hi rend="underscore">nations</hi>.<ref id="ref904" rend="sup" type="edit" target="note904">15</ref> The
		  discussion grows warmer and warmer, the crowd grows larger and larger, even a
		  fight seems brooding; when a brawny 
		  <name key="name0000013" reg="African Americans" type="people">African</name> suddenly seizes the bell-rope and immediately the
		  crowd disperse, all hurrying to their several recitation rooms.</p> 
		  <p>The curtain is again drawn and we find ourselves
			 in 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof.
				B__s</name> recitation room. There are between thirty and forty Students in the
			 room.<ref id="ref906" rend="sup" type="edit" target="note906">16</ref> The
			 recitation commences. 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof.
			 	B__.</name> calls upon Mr. M__.. With the aid of the 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof.</name> and by frequent reference to a translation, ingeniously sliped<ref id="ref907" rend="sup" type="edit" target="note907">17</ref>
			 into his book, M__. stumbles over a sentence in 
			 <name key="pn0000427" reg="Demosthenes" type="person">Demosthenes</name>. 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof
				B__.</name> concludes that he does<pb id="mss05-09-p03" n="3"/>not feel the
			 fire of the Orator, asks the force of "<foreign lang="gre">μεν</foreign> and <foreign lang="gre">
			 δε</foreign>", the meaning of "<foreign lang="gre">και δε
			 και</foreign>", the 18<hi rend="sup">th</hi> rule of Euphony,<ref id="ref908" rend="sup" type="info" target="note908">18</ref>
			 delivers a short lecture on manners<ref id="ref909" rend="sup" type="edit" target="note909">19</ref> and
			 customs at 
			 <name key="name0000050" reg="Athens, Greece" type="place">Athens</name>
			 and then allows the gentleman to take his seat. He next calls on Mr. J__. who,
			 very modestly, declines the honour of reciting. Mr. L__. is next called upon,
			 who makes a very good recitation and receives the just approbation of 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">the
				Prof.</name>, much to his own satisfaction. Mr. W__. is next asked to give a
			 proof of how<ref id="ref910" rend="sup" type="edit" target="note910">20</ref> he
			 has been spending his time. W__. is very ambitious and wishes to make a good
			 recitation; but he has taken up so much time about the dog fight and politicks,<ref id="ref911" rend="sup" type="edit" target="note911">21</ref>
			 that he is altogether unprepared to recite. He finds that he cannot translate
			 the sentence before him and 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof.</name><ref id="ref912" rend="sup" type="edit" target="note912">22</ref>
			 seems determined not to help him. A long pause ensues, in which he feels all
			 the gnawings of an ungratified ambition. All eyes are turned upon him, as if in
			 anxious expectation of something important. Tired out with waiting to hear
			 something, some of the members commence a loud whispering in regard to who
			 shall be the Marshal at the next Commencement. 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof.</name> informs the gentlemen that he and Mr. W__. have the
			 floor by relating the story of the Preacher and the Jackass. After awhile W__.
			 with much difficulty, gets through with his sentence, saying within
			 himself—I will not again neglect my lesson to gratify idle curiosity. A
			 loud whispering has now commenced all over the room, which<ref id="ref913" rend="sup" type="edit" target="note913">23</ref> 
			 <name key="pn0000201" reg="Brown, Ashbel Green" type="person">Prof.</name> can hardly suppress.</p><pb id="mss05-09-p04" n="4"/> 
		  <p>He then calls on Mr. S__.; but before the
			 gentleman has time to speak for himself, the bell announces the hour of
			 breakfast and all rush precipitably out of the room. Our<ref id="ref914" rend="sup" type="edit" target="note914">24</ref>
			 next scene is laid in front of 
			 <name key="pn0000741" reg="Hilliard, Ann &quot;Nancy&quot; Segur" type="person">Miss H__.s</name> 
			 <name key="name0000251" reg="Crystal Palace" type="organization">boarding-house</name>,<ref id="ref915" rend="sup" type="info" target="note915">25</ref>
			 where a large number of students are crowded together, as if witnessing
			 something of an exciting nature. The truth is, that one of the students has
			 insulted another by calling him—<hi rend="underscore">Fresh</hi> and the
			 insulted is trying to redress grievances. The excitement increases
			 <add rend="sup" hand="TWM">in proportion</add> as the crowd grows larger. Some
		  	are in favour of their seeking satisfaction by,  <hi rend="underscore">fighting</hi>
			 <hi rend="underscore">it out</hi>; while others wish the affair to be settled
			 amicably. The air is rent with the frightful cry of, fight! fight! The mob of 
			 <name key="name0000839" reg="Paris, France" type="place" rend="no">Paris</name>,
			 during the 
			 <name key="name0000406" reg="French Revolution" type="event">French
				revolution</name>, could hardly have presented a more exciting scene, in
			 proportion to its size. It seems that the excitement will never cease. At
			 length, however, some friends of both parties bring the opponents together and
			 the affair is settled, at least for awhile. The excitement then begins to cool
			 down in proportion as the crowd grows smaller and by degrees all retire from
			 the scene of action; the occurrence having afforded each one a wide and<ref id="ref916" rend="sup" type="edit" target="note916">26</ref>
			 exciting theme for discussion during the remainder of the day.</p> 
		  <p>Our next scene opens again with a crowd of young men, with books in
			 their hands, awaiting the ringing of the bell for recitation. They have been
			 standing there some length of<ref id="ref917" rend="sup" type="edit" target="note917">27</ref>
			 time, doing nothing at all. From close examination, it will be discovered that
			 most of them are inclined to be idlers. They could not find employment in their
			 rooms and they<pb id="mss05-09-p05" n="5"/>have assembled, as men frequently
			 do, simply "to hear and be heard". It is therefore, natural to
			 suppose that their conversation will be upon light and trivial subjects. One
			 time-honored Sophomore is relating some marvelous tale, of "a spree"
			 that he had in days gone by, when a <hi rend="underscore">Fresh</hi>, of how he
			 rung the Bell all night and so craftily evaded the almost super-human vigilance
			 of the Faculty by withdrawing into the upper story of the Belfry when they came
			 near; while gaping <hi rend="underscore">young</hi> <hi rend="underscore">Freshmen</hi> catch at and swallow his words, exciting within
			 in them a spirit of emulation to follow his most <hi rend="underscore">glorious</hi> example. "What man has done, man can
			 do," they proudly say within themselves, thinking little of the
			 consequences. Thus do they while away the time with the sickening gossip of
			 college, until the bell announces the hour of recitation and they all repair
			 thither.</p> 
		  <p>The curtain being again drawn, discloses a scene in 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof H__s</name> recitation room. The Prof. is
			 seated on a high rostrum, assuming all the dignity of his <hi rend="underscore">lofty</hi> station. His class consists of between thirty and
			 forty young men of all sorts of characters and dispositions.<ref id="ref918" rend="sup" type="edit" target="note918">28</ref> one
			 is grave and sober, another all fume and fuss, another delighting in his wit,
			 another trifling beyond all tolerance. After calling the roll 
			 <name reg="Harrisse, Henry" key="pn0000733" type="person">Prof.</name><ref id="ref919" rend="sup" type="edit" target="note919">29</ref>
			 commences the recitation. He calls upon Mr.<ref id="ref920" rend="sup" type="edit" target="note920">30</ref>
			 G__. to translate some English sentences into French; which Mr. G__. does
			 admirably well no less to his own satisfaction than to that of 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof.</name><ref id="ref921" rend="sup" type="edit" target="note921">31</ref> Mr.<ref id="ref922" rend="sup" type="edit" target="note922">32</ref>
			 H__. is next called upon. He could<pb id="mss05-09-p06" n="6"/>probably write
			 the exercise very well, but makes some awful mistakes in pronunciation, much to
			 the amusement of 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof.</name><ref id="ref923" rend="sup" type="edit" target="note923">33</ref> and
			 his own discomforture. The recitation thus proceeds until at last the
			 <hi rend="underscore">celebrated</hi> wit of the class is called upon, Mr. J__.
			 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof</name><ref id="ref924" rend="sup" type="edit" target="note924">34</ref>
			 asks him to translate the sentence, Have you the bad butter,<ref id="ref925" rend="sup" type="edit" target="note925">35</ref>
			 into French. Mr. J__. replies—<foreign lang="fre">Avez-vous le vieux
			 beurre.</foreign> 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof.</name> informs the gentleman that <hi rend="underscore">vieux</hi> means <hi rend="underscore">old</hi>. Mr. J__.
			 startles him with the brilliancy of his wit by informing him in return that,
			 old butter is generally bad. 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof.</name><ref id="ref926" rend="sup" type="edit" target="note926">36</ref> is
			 forced to acknowledge the wit of his remark, and J__. takes his seat amid the
			 applause of his class-mates, feeling highly gratified with his performance. 
			 <name key="pn0000733" reg="Harrisse, Henry" type="person">Prof.</name><ref id="ref927" rend="sup" type="edit" target="note927">37</ref> has
			 hardly suppressed their loud congratulations, when the bell rings and all leave
			 the room, seeming highly honoured at having so brilliant an intellect among
			 them.</p> 
		  <p>We next disclose a dining-room scene. About a hundred &amp; fifty
			 students are standing at the door of the dining-room, ready to rush in at the
			 first sound of the Bell. The Bell rings and all rush in together, as if
			 determined to devour the <add rend="sup" hand="TWM">food in a</add> moment. The
			 tales of the 
			 <name key="pn0000678" reg="Harpies" type="person">Harpies</name>,
			 themselves presents not a greedier picture. The Lady of the house tries to
			 restore some order; but her cries only resemble those of the frightened
			 sea-fowl amid the roar of the tempest. All is confusion and nothing is heard
			 save the clashing of knives and forks. Every one seems<pb id="mss05-09-p07" n="7"/>determined to do ample justice to the cause of eating. There is no hog
			 of the Epicurean herd, <del rend="overstrike" hand="TWM">that</del>
			 <add rend="sup" hand="TWM">who</add> would not be surprised at the scene. The
			 clash of the eating utensils is, ever and anon, drowned amid the cries of the
			 eaters for more to consume.<ref id="ref928" rend="sup" type="edit" target="note928">38</ref>
			 Figuratively speaking, the plates and dishes may be said to shrink from the
			 grasp of those who seem ready to devour them. At length the demands of the
			 stomach are satisfied, and by degrees they all retire, leaving marks of th<add rend="sup" hand="TWM">e</add>ir ravages behind them, and all repair to their
			 rooms to await the announcement by the Bell of the time for the next
			 recitation.</p> 
		  <p>The ringing of the Bell and the hurrying of the students to their
			 respective recitation rooms, opens our next scene. We follow one particular
			 crowd and soon find ourselves in 
			 <name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi> P__s</name>
			 mathematical recitation room. 
			 <name reg="Phillips, James" type="person" key="pn0001360">The D<hi rend="sup">r</hi></name> is a venerable old man with hoary locks, wears
			 spectacles and looks all the time as though he were trying to discover,
			 according to mathematical rules, whether or not the moon is inhabited or
			 something else beyond human reach. All respect him for his virtues and admire
			 him for his talents. His class consists of about thirty, most of them
			 distinguished for their standing in their class. The recitation commences. Mr.
			 A__. is first called upon. He has been diligent in the performance of the duty
			 assigned him, and the consequence is that he makes a good<pb id="mss05-09-p08" n="8"/>recitation and sits down with a self approving conscience to urge him on
			 to greater exertion. 
			 <name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi> P__.</name> next calls on Mr. W__. who has been spending his
			 time idly and consequently feels that he is entirely unprepared to recite. He
			 however puts on a bold face and appears on the floor. The proposition is given
			 to him and he reluctantly approaches the black-board. Oh! how he is mortified
			 to have to show his ignorance to the class, oh! how he wishes that he had have<ref id="ref929" rend="sup" type="edit" target="note929">39</ref>
			 studied the lesson more. In vain does he try to scratch up ideas in his head,
			 in vain does he look imploringly at the piece of chalk in his hand, as if he
			 would beseech it to guide his hand rightly instead of he<ref id="ref930" rend="sup" type="edit" target="note930">40</ref>
			 guiding it. But no aid comes. At last 
			 <name key="pn0001360" reg="Phillips, James" type="person">the D<hi rend="sup">r</hi></name> asks him if he is ready to explain. He replies, yes,
			 and straightway proceeds to the best of his ability; but, like a man walking in
		  	the dark, he stumbles over every obstacle. The 
			 <name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi></name> discovers his want of information and endeavors to
		  	assist him; but he knows so little about it that he cannot appreciate what the 
		  	<name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi></name> says. At length however the 
			 <name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi></name> succeeds in making him understand something about it,
			 when W__. is allowed to take his seat, much mortified and disheartened at
			 having made so bad a recitation. Thus the recitation proceeds, every
			 <add rend="sup" hand="TWM">one</add> who is called upon having to give a proof
			 how<ref id="ref931" rend="sup" type="edit" TEIform="ref" target="note931">41</ref> he has been spending<pb id="mss05-09-p09" n="9"/>his
		  	time, whether profitably or otherwise. The 
			 <name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi></name>  is just getting in<ref id="ref932" rend="sup" type="edit" target="note932">42</ref> a
			 fair way to give one poor fellow what we call in familiar phrase,
			 "particular goss", when some guardian angel, having heard his prayers
			 for deliverance, lends wings to the tardy moments: and the sound of the same
			 old Bell, so sweet<ref id="ref933" rend="sup" type="edit" target="note933">43</ref> to
		  	his ears, is heard again, announcing the hour for evening prayers. All, bidding the 
			 
			 <name key="pn0001360" reg="Phillips, James" type="person">D<hi rend="sup">r</hi></name> an affectionate farewell for the evening, leave
			 the room.</p> 
		  <p>Our last scene opens again in the 
			 <name key="name0000418" reg="Gerrard Hall" type="place">Chapel</name>
			 with evening prayers. Ah! what a happy throng, just released from the stern
			 duties of the day. Every one seems to wear a smile on his countenance, and even
			 the poor fellow who has made a bad recitation forgets his mortification in the
			 general glee. The prayer is ended and we leave them all hurrying away to
			 partake of the evening meal.</p> 
		  <p>In this detail it has been ours<ref id="ref934" rend="sup" type="edit" target="note934">44</ref> to
			 show how the characters of the students at College correspond to the characters
			 of those out in world.<ref id="ref935" rend="sup" type="edit" target="note935">45</ref>
			 That at college, as out in world,<ref id="ref936" rend="sup" type="edit" target="note936">46</ref>
			 there are the idle who have no energy, the fickle-minded and med<add rend="sup" hand="TWM">d</add>lesome who, for want of proper employment, are ever ready to
			 jump into any kind of excitement, but best of all that there are those, ever
			 ready to perform well the duties incumbent upon them. Thus may college in truth
			 be called—a word<ref id="ref937" rend="sup" type="edit" target="note937">47</ref> in
			 miniature.</p> 
		</div1> 
	 </body> 
	 <back> 
		<div1 type="notes"> 
		  <note id="note890" target="ref890" type="source" rend="sup"> 
		  	<p> 1. <xref url="http://www.lib.unc.edu/mss/inv/j/Jarman,Sally_Long.html">Sally Long Jarman Papers, SHC.</xref> The essay of nine numbered
				pages is undated but was written in the spring semester of 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name> sophomore year, when, according to 
				<name key="name0001146" reg="University of North Carolina" type="organization">University</name> catalogues, 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> would have been studying "English
				Composition," Greek ("<name key="pn0000772" reg="Homer" type="person" rend="no">Homer</name>'s  
		  		<name key="name0000513" reg="Iliad (Homer)" type="publication" rend="no">Iliad</name>" and "<name key="pn0000427" reg="Demosthenes" type="person" rend="no">Demosthenes'</name> 
		  		<name reg="Orations (Demosthenes)" type="publication" key="name0000823" rend="no">Select
				  Orations</name>"), French "Grammar and Fables," and mathematics
				(trigonometry, geometry, and calculus). The essay shows pencilled corrections
				in the hand of 
				<name id="JTW" key="pn0001756" reg="Wheat, John Thomas" type="person">John Thomas Wheat</name>, professor of rhetoric and logic, who
				wrote at the bottom of the last page "Excellent." A 3 1/2-page draft
				of the essay, also titled "Journal of a day," is housed in the Sally
				Long Jarman Papers, SHC, which also contain approximately sixty of 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name> compositions and a collection of his poetry.
				Though most of this work is undated, much of it was written while 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> was a University student; twelve of 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name> compositions show corrections by 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Professor
				  Wheat</name>.</p> </note> 
		  <note id="note891" target="ref891" type="edit"> 
			 <p>2. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> revised in pencil the beginning of 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name> second sentence to read as follows: "Although
				the different characteristics of men, mental and physical, may not be so
				strikingly portrayed here, and although their occupations may be
				different."</p> </note> 
		  <note id="note892" rend="sup" type="edit" target="ref892"> 
			 <p>3. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">tic sketch</hi> after
				<hi rend="italics">drama</hi>, preferring "a dramatic sketch" to 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name>"a drama."</p></note> 
		  <note id="note893" rend="sup" type="edit" target="note893"> 
			 <p>4. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted a second <hi rend="italics">r</hi> between
				<hi rend="italics">u</hi> and <hi rend="italics">r</hi> in <hi rend="italics">occurences</hi>.</p></note> 
		  <note id="note894" rend="sup" type="edit" target="ref894"> 
			 <p>5. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">a</hi> between
				<hi rend="italics">offering</hi> and <hi rend="italics">real</hi>.</p></note> 
		  <note id="note895" rend="sup" type="edit" target="ref895"> 
			 <p>6. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">real</hi> and
				above the word wrote <hi rend="italics">impenitent</hi>.</p></note> 
		  <note id="note896" rend="sup" type="edit" target="ref896"> 
			 <p>7. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> converted 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name> comma after <hi rend="italics">duties</hi> to a
				semicolon, inserted <hi rend="italics">just</hi> before <hi rend="italics">as</hi>, and inserted <hi rend="italics">goes</hi> before
				<hi rend="italics">to</hi>, revising Mason's text to read "duties; just as
				the farmer goes to his plough."</p></note> 
		  <note id="note897" rend="sup" type="edit" target="ref897"> 
			 <p>8. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> corrected the spelling of <hi rend="italics">mechanick</hi> by crossing out <hi rend="italics">k</hi>.</p></note> 
		  <note id="note898" rend="sup" type="edit" target="ref898"> 
			 <p>9. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> marked through <hi rend="italics">out</hi>.</p></note> 
		  <note id="note899" rend="sup" type="edit" target="ref899"> 
			 <p>10. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted a second <hi rend="italics">p</hi> before
				<hi rend="italics">ed</hi>.</p></note> 
		  <note id="note900" rend="sup" type="edit" target="ref900"> 
			 <p>11. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">leaf</hi>.</p></note> 
		  <note id="note901" rend="sup" type="edit" target="ref901"> 
			 <p>12. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> placed a small <hi rend="italics">X</hi> above
				<hi rend="italics">fice</hi> and at the bottom of the page wrote "X not in
				the dictionary." The 
				<name key="name0000289" reg="Dictionary of American English (Cassidy)" type="publication"><hi rend="italics">Dictionary of American English</hi></name>
				defines fice as a "small dog of mixed breed; a cur."</p></note> 
		  <note id="note902" rend="sup" type="edit" target="ref902"> 
			 <p>13. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">T</hi> and
				inserted <hi rend="italics">t</hi> above the letter.</p></note> 
		  <note id="note903" rend="sup" type="edit" target="ref903"> 
			 <p>14. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> corrected the spelling of <hi rend="italics">politicks</hi> by crossing out <hi rend="italics">k</hi>.</p></note> 
		  <note id="note904" rend="sup" type="edit" target="ref904"> 
			 <p>15. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> converted 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason's</name> period into an exclamation mark.</p></note> 
		  <note id="note906" rend="sup" type="edit" target="ref906"> 
			 <p>16. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through "in the room" and
				wrote <hi rend="italics">present</hi> above the phrase.</p></note> 
		  <note rend="sup" type="edit" target="ref907" id="note907"> 
			 <p>17. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted a second <hi rend="italics">p</hi> before
				<hi rend="italics">ed</hi>.</p></note> 
		  <note id="note908" rend="sup" type="info" target="ref908"> 
			 <p>18. The textbook used in 
				<name key="pn0000201" type="person" reg="Brown, Ashbel Green">Brown's</name> Greek class was 
				<name key="pn0000231" reg="Bullions, Peter" type="person">Peter
					Bullions</name>, <hi rend="italics"><name key="name0000911" reg="The Principles of Greek Grammar (Bullions)" type="publication" rend="no">The Principles of
				  Greek Grammar</name></hi> (New York: Pratt, Woodford, 1851). When
				"<foreign lang="gre">μεν</foreign> and <foreign lang="gre">δε</foreign>" are used with definite articles in
				Greek, they have the force of "one . . . the other" or, in the
				plural, "some . . . the others." The phrase "<foreign lang="gre">και
				δε και</foreign>" means "nevertheless." The eighteenth
				rule of euphony is as follows: "When both ν and τ-mute together,
				are cast out before σ, ε preceding it is changed to ει, ο
				into ου, and a doubtful vowel is lengthened; but η and ω
				remain unchanged" (12).</p></note> 
		  <note id="note909" rend="sup" type="edit" target="ref909"> 
			 <p>19. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> between
				<hi rend="italics">on</hi> and <hi rend="italics">manners</hi>.</p></note> 
		  <note id="note910" rend="sup" type="edit" target="ref910"> 
			 <p>20. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">how</hi> and
				inserted "the manner in which" between <hi rend="italics">how</hi>
				and <hi rend="italics">he</hi>.</p></note> 
		  <note id="note911" rend="sup" type="edit" target="ref911"> 
			 <p>21. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> corrected the spelling of <hi rend="italics">politicks</hi> by crossing out <hi rend="italics">k</hi>.</p></note> 
		  <note id="note912" rend="sup" type="edit" target="ref912"> 
			 <p>22. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> in front of
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note913" rend="sup" type="edit" target="ref913"> 
			 <p>23. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> after
				<hi rend="italics">which</hi>.</p></note> 
		  <note id="note914" rend="sup" type="edit" target="ref914"> 
			 <p>24. 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> ended the previous sentence at the right margin and
				began this sentence flush with the left margin. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> pencilled a large ¶ symbol in the margin before
				<hi rend="italics">Our</hi>, perhaps to indicate that the sentence should begin
				a new paragraph.</p></note> 
		  <note id="note915" rend="sup" type="info" target="ref915"> 
			 <p>25. When 
				<name key="pn0000741" type="person" reg="Hilliard, Ann &quot;Nancy&quot; Segur">Nancy Hilliard</name> sold the 
				<name key="name0000305" reg="Eagle Hotel" type="organization">Eagle
					Hotel</name> in 1853, she built to the east of it a large two-story house,
			 	which the students called "The <name key="name0000251" reg="Crystal Palace" type="organization">Crystal Palace</name>." She continued to board students on the upper floor and to
			 	serve meals in the large basement (<xref url="/true/about/bibliography.html#V">Vickers 61</xref>).</p></note> 
		  <note id="note916" rend="sup" type="edit" target="ref916"> 
			 <p>26. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew lines through <hi rend="italics">wide</hi> and
				through the <hi rend="italics">d</hi> of <hi rend="italics">and</hi>.</p></note> 
		  <note id="note917" rend="sup" type="edit" target="ref917"> 
			 <p>27. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew lines through "length of."</p></note>
		  
		  <note id="note918" rend="sup" type="edit" target="ref918"> 
			 <p>28. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew lines through the final <hi rend="italics">s</hi> in <hi rend="italics">characters</hi> and
				<hi rend="italics">dispositions</hi>.</p></note> 
		  <note id="note919" rend="sup" type="edit" target="ref919"> 
			 <p>29. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> before
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note920" rend="sup" type="edit" target="ref920"> 
			 <p>30. 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> crossed out a line representing a blank that follows
				<hi rend="italics">Mr</hi>.</p></note> 
		  <note id="note921" rend="sup" type="edit" target="ref921"> 
			 <p>31. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> before
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note922" rend="sup" type="edit" target="ref922"> 
			 <p>32. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed through <hi rend="italics">Mr</hi>.</p></note> 
		  <note id="note923" rend="sup" type="edit" target="ref923"> 
			 <p>33. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">the</hi> before
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note924" rend="sup" type="edit" target="ref924"> 
			 <p>34. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">The</hi> before
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note925" rend="sup" type="edit" target="ref925"> 
			 <p>35. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> added quotation marks before and after "Have
				you the bad butter."</p></note> 
		  <note id="note926" rend="sup" type="edit" target="ref926"> 
			 <p>36. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">The</hi> before
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note927" rend="sup" type="edit" target="ref927"> 
			 <p>37. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">The</hi> before
				<hi rend="italics">Prof</hi>.</p></note> 
		  <note id="note928" rend="sup" type="edit" target="ref928"> 
			 <p>38. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through "to
				consume."</p></note> 
		  <note id="note929" rend="sup" type="edit" target="ref929"> 
			 <p>39. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">have</hi>.</p></note> 
		  <note id="note930" rend="sup" type="edit" target="ref930"> 
			 <p>40. 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> wrote <hi rend="italics">he</hi> on top of
				<hi rend="italics">his</hi>.</p></note> 
		  <note id="note931" rend="sup" type="edit" target="ref931"> 
			 <p>41. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> crossed out <hi rend="italics">a</hi> and
				<hi rend="italics">how</hi> on either side of <hi rend="italics">proof</hi> and
				inserted "of the manner in which" above <hi rend="italics">proof</hi>.</p></note> 
		  <note id="note932" rend="sup" type="edit" target="ref932"> 
			 <p>42. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">to</hi> after
				<hi rend="italics">in</hi>.</p></note> 
		  <note id="note933" rend="sup" type="edit" target="ref933"> 
			 <p>43. 
				<name key="pn0001106" reg="Mason, Thomas Williams" type="person">Mason</name> wrote <hi rend="italics">sweet</hi> on top of an
				unrecovered word.</p></note> 
		  <note id="note934" rend="sup" type="edit" target="ref934"> 
			 <p>44. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">ours</hi> and
				inserted "my purpose" above the word.</p></note> 
		  <note id="note935" rend="sup" type="edit" target="ref935"> 
			 <p>45. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through "characters of" and
				inserted <hi rend="italics">the</hi> above the line between <hi rend="italics">in</hi> and <hi rend="italics">world</hi>.</p></note> 
		  <note id="note936" rend="sup" type="edit" target="ref936"> 
			 <p>46. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> drew a line through <hi rend="italics">out</hi> and
				inserted <hi rend="italics">the</hi> above the line between <hi rend="italics">in</hi> and <hi rend="italics">world</hi>.</p></note> 
		  <note id="note937" rend="sup" type="edit" target="ref937"> 
			 <p>47. 
				<name key="pn0001756" reg="Wheat, John Thomas" type="person">Wheat</name> inserted <hi rend="italics">l</hi> between
				<hi rend="italics">r</hi> and <hi rend="italics">d</hi>.</p></note> 
		</div1> 
	 </back> 
  </text> 
</TEI.2>